A Panel discussion with Gaiutra Bahadur (journalist & writer), Dai Sil Kim-Gibson (independent filmmaker), Samip Mallick (archivist), Mae Ngai (professor, Columbia University), and Beresford Simmons (activist, musician)
- Gaiutra Bahadur, Journalist and Writer, Coolie Woman: The Odyssey of Indenture
- Dai Sil Kim-Gibson, Independent filmmaker, Sa-I-Gu, A Forgotten People: The Sakhalin Koreans,Silence Broken: Korean Comfort Women
- Samip Mallick, Executive Director, South Asian American Digital Archive
- Mae Ngai, Professor of History and Asian American Studies, Columbia University
- Beresford Simmons, New York Taxi Workers Alliance; Creator of Taxi Vibes
Thursday, April 17
406 International Affairs Building
420 West 118th St
What is the place of history in the shaping of narratives in and about immigrant communities in New York City? Immigration is often told as a story that begins with rupture and ends with assimilation – of severing roots, and building new ties. Yet, so often in New York with an immigrant population of 3 million, there are a richer, more complex stories to be found, archived, and told. How do immigrant stories shape New York, the “majority-minority” city? Join the Center for International History for a panel discussion as we navigate the question of immigrant histories and the shaping of NYC — through film, through literature- academic, fictional and journalistic- through music, archiving, and activism.
The event is free and open to the public.
Wine & cheese reception afterwards
Co-sponsored by the Center for International History and the Asian American Alliance
As part of the 1949 UNESCO Human Rights Exhibition seminar series, the Institute for the Study of Human Rights presents
Human Rights on the World Stage
A Talk by Sharon Sliwinski, Associate Professor of Information and Media Studies, University of Western Ontario
With Commentary by Rosalyn Deutsche, Adjunct Professor of Art History, Barnard College
Date and time: Monday 9 December 2013 at 6.15pm
Location: 602 Hamilton, Columbia University
The 1949 UNESCO Human Rights Exhibition operated both as cultural document and as educational implement. Sharon Sliwinski proposes to highlight some of the tensions involved in transposing human rights into these terms. What will be under particular scrutiny are the fantasies that drive such educational campaigns, namely, that proper knowledge will bring about social progress. Professor Sliwinski will address the historical lineage of this fantasy, as well as its persistence in the present in form of “sites of conscience.”
This is the third event in a seminar series revolving around the largely unknown 1949 UNESCO Human Rights Exhibition – the first international event that sought to visually represent the history, meaning and content of the rights set out in the UDHR. The series will lead up to a new display of the exhibition archive at Columbia’s Buell Hall Gallery in April 2014. For more information, visit www.exhibithumanrights.org.
This seminar series is made possible with the support of the Institute for Comparative Literature and Society, the Center for International History, and the Center for Human Rights Documentation and Research.
The event is free and open to the public with limited seating offered